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Last Year at Marienbad
''L'Année dernière à Marienbad'' (released in the US as ''Last Year at Marienbad'' and in the UK as ''Last Year in Marienbad'') is a 1961 French film directed by Alain Resnais from a screenplay by Alain Robbe-Grillet.〔According to Thomas Beltzer, in (''Last Year at Marienbad: An Intertextual Meditation'' ), the film script may have been based in part on ''The Invention of Morel'', a science fiction novel published in 1940 by the Argentine writer Adolfo Bioy Casares. The ''Invention of Morel'' is about a fugitive, hiding out alone on a deserted island who one day awakens to discover that the island is miraculously filled with anachronistically dressed people who, according to the text, "dance, stroll up and down, and swim in the pool, as if this were a summer resort like Los Teques or Marienbad." He later learns that they are creations of an inventor, Morel, whose recording machine captured the exact likenesses of a group of friends, which are "played" over and over again. The Italian director Emidio Greco made a film ''L'Invenzione di Morel'' (1974) based on Bioy Casares' novel, and earlier there was a French TV movie, ''L'invention de Morel'' (1967). Although Alain Robbe-Grillet acknowledged familiarity with the novel of Bioy Casares, Alain Resnais had not read the book at the time of making the film. (Robert Benayoun, ''Alain Resnais: arpenteur de l'imaginaire''. Paris: Ramsay, 2008. p. 98.)〕
The film is famous for its enigmatic narrative structure, in which truth and fiction are difficult to distinguish, and the temporal and spatial relationship of the events is open to question. The dream-like nature of the film has both fascinated and baffled viewers; many have hailed the work as a masterpiece, while others find it incomprehensible.
==Plot==
At a social gathering at a château or baroque hotel, a man approaches a woman. He claims they met the year before at Marienbad and is convinced that she is waiting there for him. The woman insists they have never met. A second man, who may be the woman's husband, repeatedly asserts his dominance over the first man, including beating him several times at a mathematical game (a version of Nim). Through ambiguous flashbacks and disorienting shifts of time and location, the film explores the relationships among the characters. Conversations and events are repeated in several places in the château and grounds, and there are numerous tracking shots of the château's corridors, with ambiguous voiceovers. The characters are unnamed in the film; in the published screenplay, the woman is referred to as "A", the first man is "X", and the man who may be her husband is "M".
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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